Twelve years ago, Leonardo DiCaprio teamed up with Leila Conners to blast an environmental wake-up call to the world with
The 11th Hour, warning of the dire consequences of unchecked climate change. More than a decade later, the political
leaders most able to do something continue to ignore the issue, but while the cataclysmic effects of global warming
become ever clearer, scientists and significant swathes of the public are trying to make a difference. Thats the focus of Ice on Fire, a deeply conventional though
attractive documentary designed to reinforce just how bad things are getting while offering hope by concentrating on realistic
proposals that can reign in climate change and even reverse its effects. Premiering at Cannes in advance of its June 11 launch
on HBO, the hollywood movies will likely garner a decent viewership via the networks streaming platforms.
Where The 11th Hour sought to frighten audiences into action by showing the consequences of doing nothing, Ice on Fire takes
a different tack, relying heavily on predictably beautiful drone shots of pristine landscapes to remind
us what we have to lose, interspersed with scientists and activists talking about what can be done to preserve our planet. Occasionally
DiCaprios voice is heard reinforcing points in the manner of a sententious schoolmaster lecturing children, but fortunately these interjections
are sporadic, notwithstanding the obvious importance of a Leonardine presence to boost interest. Overall the documentary is rather too
predictably structured, raising the alarm, then offering a solution, and then repeating the formula, though Conners and the producers make
the correct calculation that dire warnings without a corrective course of action lead to hopelessness rather than vital social and political engagement.
Ice on Fire looks exactly as expected, full of grandiose drone shots of some of the globes most vulnerable spots DP (and co-producer)
Harun Mehmedinovic previously worked on BBC Earth and was clearly influenced by the groundbreaking series. Though operating with
an eye for large-scale images, the producers were surely cognizant that most audiences are accustomed to watching this sort of footage
on home screens of varying sizes.
The 11th Hour, warning of the dire consequences of unchecked climate change. More than a decade later, the political
leaders most able to do something continue to ignore the issue, but while the cataclysmic effects of global warming
become ever clearer, scientists and significant swathes of the public are trying to make a difference. Thats the focus of Ice on Fire, a deeply conventional though
attractive documentary designed to reinforce just how bad things are getting while offering hope by concentrating on realistic
proposals that can reign in climate change and even reverse its effects. Premiering at Cannes in advance of its June 11 launch
on HBO, the hollywood movies will likely garner a decent viewership via the networks streaming platforms.
Where The 11th Hour sought to frighten audiences into action by showing the consequences of doing nothing, Ice on Fire takes
a different tack, relying heavily on predictably beautiful drone shots of pristine landscapes to remind
us what we have to lose, interspersed with scientists and activists talking about what can be done to preserve our planet. Occasionally
DiCaprios voice is heard reinforcing points in the manner of a sententious schoolmaster lecturing children, but fortunately these interjections
are sporadic, notwithstanding the obvious importance of a Leonardine presence to boost interest. Overall the documentary is rather too
predictably structured, raising the alarm, then offering a solution, and then repeating the formula, though Conners and the producers make
the correct calculation that dire warnings without a corrective course of action lead to hopelessness rather than vital social and political engagement.
Ice on Fire looks exactly as expected, full of grandiose drone shots of some of the globes most vulnerable spots DP (and co-producer)
Harun Mehmedinovic previously worked on BBC Earth and was clearly influenced by the groundbreaking series. Though operating with
an eye for large-scale images, the producers were surely cognizant that most audiences are accustomed to watching this sort of footage
on home screens of varying sizes.