Yes, many people ask this question. To clarify the situation, we will additionally publish a table - (Project development strategy depending on the volume of the crowdsale). The table clearly shows how funds will be spent depending on the volume of the crowdsale.

We have a soft cap of $ 1 million, this is the amount with which we can create a project cinemadrom and continue to work at the required pace, gradually realizing all the services. But then this work needs more time. Hardcap is the optimal amount that will allow us to implement all projects and services developed in White Paper as efficiently and quickly as possible.

Important question. We have an agreement with a team of professional developers from India. Soon we will post this information on the site to answer this question.
There is a similar technology - IPFS, on the basis of which POT will be developed.

True, Torrent Technology was the basis of the PoT idea, though unlike Torrent, the video file is split into many pieces and scattered around many miners, to limit the effect of video pirates.

PoT (Proof of Traffic) is an experimental technology that we create and test. It solves the problem of providing video traffic for streaming service, using free capacity and memory capacity on miners' computers, mainly to provide viewers with video on mobile devices.

An agreement between the parties (the investor and the manufacturer and the platform) is concluded with the investor who makes money in film projects and a smart contract is created. Thus, the investor acquires property rights to the film. In the personal account is recorded relevant information. An e-mail to the investor is sent a digital version of the contract. If desired, the investor can get a paper version of the contract in English.

All unsold tokens are transferred to the film production fund and frozen. Later, when the investor purchases the rights to the film, part of the tokens, proportional to the investor’s investment, goes to a special account in the investor’s private office, where they remain frozen until the profit from the distribution of the film is received.

Four film projects are already available on the platform. Currently ten more film projects are waiting for their turn. In fact, a lot of film projects and all film projects, potentially successful and profitable.
Some of the film projects produced by the IBNIF film studio and the rest of the film company’s film projects that are interested in the service of the cinemadrom investment platform.
The rest of the film projects will be placed gradually during the sale of LUMIERE.

We will have one crypto currency. For the functional platform, you need two, three crypto coins, but we decided not to complicate. For the token of the sale, not yet created Blockchain and cryptocurrency, we create the utility token Ethereum erc20. Next, we exchange for a cryptocurrency Lumiere 1:1.
 
This is primarily a payment coin on the platform, as well as a smart contract execution tool, a loyalty tool and a means of financing film projects.
 
I want to emphasize that the function of providing film projects freezes cryptocurrency in the amount of the budget for the period of production and distribution of the film project. In fact, in this way we withdraw Lumiere cryptocurrency from the total volume of financial turnover. It is similar to burning tokens, but the volume of emissions is not reduced, which will be necessary in the long term.

We plan to conduct a bounty campaign of our pilot film projects in social networks. If the result is positive, we will offer this tool for the film industry in the PR format of marketing new films.

Yes, this process is long and the result is not guaranteed, but predictable and likely.
We provide the market with a tool where the investor can participate in the financing of the film in small shares. An investor can distribute a large contribution to several film projects, according to the principle of a portfolio. The investor is insured against loss of crypto currency from the film insurance fund. With the full deployment of the platform, the emergence of new projects will be regular, and with regular investments there is no waiting effect.
 
The investor has a choice for each film project - to invest at different stages of film production. Invest at preproduction stage and get additional bonuses. Invest at the production stage when everything is ready for production and get bonuses but for less. Invest at the postproduction stage at actual cost, when the filming is completed and the film is designed (graphics, dubbing, editing).
 
The probability of success of the film at the box office, depends on such factors as:
 
1) The similarity with already successful films and the possible need of the viewer for similar films.
2) Participation in the film of famous actors and directors.
3) Effective and financially valuable film marketing.
 
All these factors, which we implement, give a high chance of achieving a successful film at the box office.

Прочитали да вот сути не поняли, увидели то, что хотели увидеть. Из фонда размораживается только тот объем который необходим для финансирования какого либо кинопроекта, эти токены не попадают на биржу в свободное обращение, они переводятся на смарт контракт этого кинопроекта и снова замораживаются.

I agree, the incentive is not enough. Therefore, we will redeem the tokens you earned on the Bounty company. And we will buy back on earlier listing on crypto exchanges. Each job must be paid for, and we want to earn an excellent reputation among the bounty community. We are planning a lot of bounty campaigns in the future to promote film projects. Therefore, we want to collect a large community.

Охо хо Юшки хо хо.   Ну давайте по порядку. Эмиссия 3 ярда, не хилая такая эмиссия при цене в 1$ за токен.
Но если учитывать годовой оборот киноиндустрии больше 100ярдов (за2018), и это только бюджеты на производство, то в общем то и не так уж и дофига.
На продажу выделено 10%, что бы не создавать профицита токенов в обороте. А это примерно 10 фильмов со средним бюджетом.
Фонд производства замораживается как и страховой тоже, этих токенов нет в обороте. Фонд производства частично размораживается при необходимости, на пример дофинансировать проект. Или если на рынке существенный дефицит токенов.
Страховой фонд частично размораживается в случае если картина не отбила бюджет. Инвестору компенсируются потери.  
Резонный вопрос напрашивается, с чего это быть дефициту токенов? В течении первого года токены холдятся, на платформе появляется ещё несколько кинопроектов ( сейчас их 4, ещё 10 добавятся в не далёком будущем). Когда финансируется кинопроект, замораживаются и токены соразмерно сумме финансирования, они тупо выбывают из оборота до финального сбора кассы ( прибыль с проката).
Что происходит при дефиците товара или ещё чего либо? ... .....
Другие проекты сжигают токены, а это всё таки манипуляция на рынке, и потеря эмиссии, ну не будешь же вечно сжигать!
Что касается софт и хард. Как уже ранее говорил, для дальнейшей работы планка Лимон. Какой то устоявшейся формулы соотношения софта и Харда не существует.
Как поступают другие проекты не может быть эталоном для нашего проекта. У кого то вообще сумма с потолка взята, а как рынок пошел в затяжной дамп, стали резать свою капу.
У нас сумма взята от выставленных на продажу токенов, с учётом скидок и бонусов примерно 150 лимонов.
На токенсейл год времени. Не реализованные токены пойдут в дальнейшую продажу на дополнительных раундах, либо заморозятся в фонд производства. Что касается принимаемых  к оплате собак. Любую ликвидную крипту или токен, если их свободно можно продать на биржах, мы принимаем, если это не противоречит AML. Можете думать что хотите, но это маркетинговая стратегия.

The next part is in the spring. According to the results of the first part, we will start at the optimal time. First look at the result of the first part.

Основная проблема это деньги. Кинопроизводитель не может найти бюджет а инвестор не может инвестировать, по ряду причин.
На данный момент можно записаться в Вайт Лист.
Листинг планируется через год, когда токен будет оборачиваться на платформе, делать это раньше не вижу смысла. Но можно что то заработать и пораньше, на Баунти программах.

This is the creation of Content - Bounty. Perform work on translating content into different languages, writing articles, again translating them, creating graphics, video clips, etc. According to the results of the assignments, we will identify good workers for further bounty campaigns on film projects that will be held constantly.

It is planned to start in January. At the beginning only the first part of the work, the first phase will be available.