Quote from: Kazadar on February 01, 2017, 07:05:34 PM

Quote from: mtnsaa on February 01, 2017, 05:29:08 PM

Investing in movies or producing films is usually one of the worst and less profitable investments so I wouldn't hold my breath on that, especially since it will mostly be sci-fi oriented. I know crypto fans are all geeks and nerds but you can't live on that. Having an Ethereum documentary is ok but it won't attract the masses. Same goes with a series about the singularity, which many shows are coming up with right now (there's even a comedy one with Seth Rogen in the works).

Unless the quality is completely flawless and makes a splash kinda like Black Mirror, Mr. Robot or similar then I don't think there's anything special regarding this "module". Also I don't think they have the funds to pull something like that off. Rights management platform on the other hand is actually a quite interesting idea but it's years ahead, regulation wise I mean.

UJO on the other hand can get word of mouth via indie musicians using its system to sell their content and therefore creating huge buzz and critical mass.

The documentary and partly the series is just test content.
According to their plan they should be running the rights management with selected producers in a year or so. They have also stated that serveral larger players in the industry have expressed interest their platform.

Which regulations do you see a problem with? There are ways around most of the issues for the company. It does state that its the token holders responsibility to make sure they comply with the law aswell.

Of course they have interest from companies in the industry, but that doesn't mean anything, especially without some actual name dropping. It's a long road and this is in its infancy that's all I'm saying.

I personally don't like the branding or the name for that matter since in my opinion it's just lame to focus only futuristic/sci-fi elements. In terms or regulation issues, well I can see some bands or solo artists in UJO selling their content, tracks and rights without much difficulty. Now the film industry is a whole different thing, especially in the US (most quality production are US based or UK). There are whole crews of +100 people working, will there be fiat gateways, royalties? Will they use ETH? BTC? How does the whole thing's gonna work for the average person and producer? Indie companies and film makers (I'm talking about real indie and underground stuff) will definitely be interested similar to UJO but I don't think this is what they are aiming for, and if they were, well it goes back to my point that presentation of the platform/product is too nichey.

This could all change in the future, so it's a matter of having faith in the company and team, I'm just talking about the present and the information we have now.